The best examples of visual immersion made manifest are in the exteriors where much of the terrain is lush with objects that harmoniously compose a believable environment. Much of the potential that could be realized from preconceived environments such as the constructs within Bruma and Cyrodiil which come from other works dissipates due to poor visuals in the form of extremely low-quality textures. Most environmental atmospheres presented in the level design are mild.
There are pathways such as the hallways in central Cyrodiil, for instance, but the crude geometry is exposed and there is no artistic variation within them. However, there is hardly any demonstration of elaboration on architecture that can be attributed to the author and whenever the level design strays away from imitating preconceived locations most of the architectural motifs and contours vanish and the player is left witnessing completely simplistic designs. Consider the visual presentation of the entrance and exit to the maze and the topography of Bruma and Cyrodiil they at least have a basic organization of visual harmony there are pathways, organizational structural divisions and centered visualizations that work together to compose the geometry that makes up the architectural layout. Insofar as one can trace the compositions of meshes of visual structures to other creations the author cannot independently demonstrate their ability to compose well-formed architectural structure, but there are occasions that upset that typical reality, and in such occasions the author demonstrates the ability to create organized structure on a basic level. Rigmor of Cyrodiil is a heavily story-driven narrative molded within Skyrim that takes the player on a journey to Cyrodiil where they encounter among their allies and enemies factions vying for political power. In short terms Rigmor of Cyrodiil demonstrates that immoderation of detail and a unidimensional focus of development is an awful design combination.
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